She was overjoyed when the artist Edgar Degas asked her to join the group of independent painters known as the Impressionists in 1877. However, after the Salon rejected one of her submissions in 1875 and accepted none of her submissions in 1877, she grew disillusioned with the procedures and conventional preferences of Paris’s official art scene. Two Women Throwing Flowers (1872) by Mary Cassatt, displayed at the Salon of 1872 Mary Cassatt, Public domain, via Wikimedia Commons Cassatt, who was always single-minded and self-sufficient, now had the chance to focus on her art in a place where, as she later stated, “Women did not have to strive for attention if they produced real work.”Ĭassatt had a picture approved and lauded in the Salon of 1872, and she presented her art at subsequent Salons. Her family was regularly used as models for her late 1870s and 1880s work, which featured numerous photographs of modern women at the theater and opera, as well as in gardens and parlors. She also journeyed to Italy, Spain, and Holland in the early 1870s, where she became acquainted with the works of painters such as Peter Paul Rubens, Diego Velázquez, and Antonio da Correggio.Ĭassatt had positioned herself in a Paris workshop by 1874. She returned to Paris after a brief trip to the United States from 1870 to 1871, when she was discouraged by a lack of creative resources and chances. Despite their reservations, they consented, and she relocated to Paris to study under Jean-Léon Gérôme. In 1865, she requested permission from her parents to pursue her artistic instruction overseas. 1880-1884) by Edgar Degas Edgar Degas, Public domain, via Wikimedia CommonsĬassatt commenced with her two years of education at the Pennsylvania Academy of the Fine Arts in 1860 when she was 16 years old. Little is known about her youth, however, she may have attended the 1855 Paris World’s Fair, when she would have seen the works of artists such as Jean-Baptiste-Camille Corot, Gustave Courbet, Eugène Delacroix, and Jean-Auguste-Dominique Ingres, among others. She also acquired German and French as a small girl, which would come in handy later in her international career. NationalityĪllegheny City, Pennsylvania, United Statesįrom 1851 until 1855, Mary Cassatt lived in France and Germany with her family, providing the young child early exposure to European arts and culture. Mary Cassatt the artist’s flexibility contributed to her professional reputation at a period when few females were considered as competent painters. Mary Cassatt’s paintings blended Impressionism’s light color palette and free brushwork with themes inspired by Japanese artwork as well as the Old Masters of Europe, and she produced in a number of mediums during her career. Mary Cassatt’s prints and paintings demonstrated her technique as well as her incisive evocations of the lives and experiences of women from the late-19th-century era.
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